Shark-Bite Movie Review: Hancock -- A Few 40 ouncers short of a party

It’s an oft-heard refrain here – particularly oft-heard if you’re in conversation with this writer after his editor kindly reminds him deadline IS TOMORROW – that 90 percent of the Hollywood films that are released in
[*Editor's note: For our list of the Top 10 Actors Guaranteed to Ruin your Transatlantic Flight, click here]
The premise for the movie is promising and has some great satirical potential. Hancock does what Superman does, but whereas Superman is free to zip around skies that seem to have been cleared specifically for him, Hancock kills birds in mid-air collisions and has to dodge planes. What’s more, unlike Clark Kent – a character with the piercing depth of a carp – Hancock is a brooder, he hangs around in cheap bars, and when one woman remarks that she can smell booze on his breath, gets pissed off, “That’s because I’ve been drinking, bitch!” After the movie’s opening act, you get the mistaken impression that the whole film might be about a superhero with the disposition and bonhomie of a morning after Charles Bukowski.
We meet Hancock as he’s sleeping off a hangover on a park bench. Bullets bounce off him, he survives having a mack truck dumped on his head, but his superpowers do not extend to hangovers – cheap whiskey, it would appear, is this man’s kryptonite.
When Hancock stops a gang of street toughs from shooting up the freeway, he’s not troubled by hero-worship. If you’re a taxpayer forced to foot the bill to have a bad guys’ car removed from the spire of the Capital Records building, you might be less than appreciative of Hancock’s efforts. Later, he rescues a man whose car is stuck in the path of an oncoming train. He does this by slamming his fist into the oncoming train and causing a wreck. Rather than being applauded for saving the life of a stranger, he’s heckled: “Why didn’t you carry the car up and away rather than stopping the train with your fist?”, he’s asked.
Jason Bateman plays Ray Embry, the guy he rescues from the oncoming train. To pay Hancock back for saving his life, Embry offers him the only thing he can – unsolicited PR advice. He suggests that the first step towards Hancock improving his image would be to answer the countless subpoenas out there for him and actually serve some time in jail once he’s convicted. Hancock does this and the filmmakers get some comedic mileage out of a jail sequence – the prisoners, all of whom Hancock put there, are still inexplicably of the impression that they could take him in a square-go and attempt to bully him in the tradition of welcomes given to all new prison arrivals. He makes them pay for it by using one man’s head and another man’s anus in a way that is probably funny to 14-year-olds, but anatomically hard to believe.
After “Juno”, a deserving entrant in the blog/book “Stuff White People Like”, Jason Bateman it would appear is the face of the white liberal whose heart is bleeding so profusely it no longer circulates anything to important arteries. He has a
The film’s second half springs out of the tensions between Hancock and Mary, and, while it did have the element of surprise on its side, this was tempered by the fact that it this major plot turn was ludicrous, arbitrary and that it came at a point when I had long ago stopped caring about how this film was going to resolve itself.
What we’re left with is a good performance from Will Smith, he makes a good mean-whiskey drunk and that's no small compliment, and some fun goofs on the superhero genre – the best of these being Hancock’s attempt to save the life of a beached whale by flinging it back into the ocean... just his luck that a sailboat would be there to meet it at the landing point. Mostly though, it’s a movie with no concerted focus, one that starts out as fun satire and quickly degenerates into the very kind of film it was making fun of in the first place.
What we're left with then is a film that was never that good. A fun idea and a solid premise that may have been turned into something satirical from start to finish, but one that's used up in the first half hour of the film. One imagines that Ignatius, him of the sensitive heart-valve, wouldn't have made it through this one.
Click here for a review of a movie that got the drunk superhero idea right.
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